RACHEL BORENSZTEJN / In a Landscape
Work from the immersive exhibition designed by students of the Beaux-Arts de Paris at the Espace Niemeyer dialogues with architecture to offer a sensory and poetic experience around the love and memory of the place.
Event information
Time: 2026-06-06 19:00 UTC – 2026-06-07 03:00 UTC
Place: Espace Niemeyer, 6 Avenue Mathurin Moreau (Porte B), 75019, Paris
Price: Free
Tags: Art contemporain
About this event
Each screen broadcasts a video of fantasized landscapes, inspired by Niemeyer's architecture, where silhouettes wander from one screen to another. Through the fragmentation and hybridization of mediums, it blurs our perception of space and exalts its hidden poetry. The red sky, directly borrowed from The Dead Mountain of Life by Michel Bernanos, symbolizes a place which transforms all presence into mineral matter, like a mountain hungry for life. His work, exhibited notably during Contre-espace (Photo Saint-Germain, Beaux-Arts de Paris), was rewarded by the Hélène Diamond Scholarship. In a Landscape, Digital and sound installation, 2026In a Landscape is installed in the delegation room of the Niemeyer space, PCF headquarters in Paris. At the same time, she enriches her practice with the piano, like a sonic echo to her spaces The soundtrack, In a Landscape by John Cage, reinforces this atmosphere: contemplative music which contrasts with the strangeness of the images, creating a tension between calm and disquiet.
Rachel Borensztejn was Born in Paris in 2002, graduated from Beaux-Arts de Paris in 2025, she continued her training in the fresco and Art in Situation sector. This project gives life to a personified space, capable of acting on its environment: a fiction where individuals, sucked in by screens, seem suspended outside of time. ART IN THE SITUATION OF THE NATIONAL SCHOOL OF FINE ARTS OF PARIS / Falando de Amor
A pioneer of images, she draws on her travels, online maps, archives and 3D models to build a visual bank. Arranged around a table, these screens are connected by red cables, evoking the arteries of a living organism. Through painting, photomontage, models and drawing, she questions non-places, modern, anonymous and disused spaces, often erasing the human figure to reveal its strangeness, or slipping in specters, traces of a ghostly presence.
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